Cable Street, Hand & Eye Press, Shadwell & Wapping

Last Friday, 23rd January, I visited Phil Abel at Hand & Eye Press under an old railway arch at Pincin Street, just north of Cable Street. There are some images below. I walked along Cable Street to Shadwell, past the sadly derelict Crown & Dolphin and Britannia pubs, as far as Shadwell Station on the East London Line, and then turned south following the line of the East London Railway running deep below (the route is marked by a road and a wide public footpath, studded with huge brick ventilation shafts which, up to the 1960s, helped the steam and smoke of the locomotives to escape). After crossing under the old Radcliffe Highway, the railway then passes under the bed (now dry - a park) of the Eastern Dock of the old London Docks) on its way to Wapping, Brunel's Thames Tunnel, Rotherhithe, Surrey Docks and New Cross/New Cross Gate. After fish and chips and a pint of London Pride at the Prospect of Whitby (which I first visited about 1964) on Wapping Wall, I retraced my steps to Shadwell, and then followed the East London route further north as far as Whitechapel.

The London Hospital, opposite Whitechapel Station

The magnificent Albion Brewery building in Whitechapel Road (27 Jan 2009)

The old East London Railway Shadwell Station building (27 Jan 2009)

Brick ventilation shaft just south of the newer Shadwell Station (in the distance)

In the Eastern Dock, London Docks


The Crown & Dolphin, Cable Street

Phil Abel, at Hand & Eye Press, operating one of his two Heidelburg letterpress machines

Hand & Eye Press publicity poster

Lewes Bowling Green, Tom Paine and the Minotaur

Lewes Bowling Green and its Pavilion, with the Norman castle looming above

Just emerging from hibernation after some freezing weeks, flu, etc. It's been a lovely bright, sunny and relatively warm morning here in Lewes. I spent two hours as a guest of the very friendly Lewes Bowling Green Society playing bowls on the beautiful green in the Castle grounds. Tom Paine used to play bowls here in the 18th Century. The woods, made of lignum vitae (a very heavy, dark, hard wood) have an inbuilt bias, and you have to learn by experience how to bowl using this bias, curving the wood up or down hill, and towards the jack, from an initial line which is to left or right of the jack. The green, which looks deceptively level, in fact slopes in several directions simultaneously and, with its rises and dips, is a treacherous and irregular terrain. This is probably the most beautiful and magical part of Lewes, so it probably won't be long before the planners allow it to be ruined with some totally inappropriate development (as is happening with the Gun Garden, owned by the Sussex Archaeological Society).

After this I had fish and chips for lunch, and a couple of hours at the Kings Head with the Headstrong Club irregulars drinking excellent Harvey's bitter, which is brewed here in Lewes. Then to the secondhand bookshops in the High Street (Bow Windows and Cummings), in one of which I found a nice copy of Michael Ayrton's Minotaur book for (Sir) John Tomlinson (one of the irregulars), who created the part of the Minotaur in the Birtwistle/Harsent opera premiered at the Royal Opera House. This year John will be singing Michaelangelo's poems, set to music by Shostakovich, Baron Ochs (Hamburg), Fafner, Hagen and Hunding in The Ring at the Met (New York), and lots of other stuff.

East London Line and the surveillance society: Paranoid and fragile state of England

Looking south towards Whitechapel Station; the new track being laid

Looking north-west towards Shoreditch Station, from Vallance Road; the new track being laid towards the bridge over the Liverpool Street main line at the site of Bishopsgate Station

I was reminded of the current Taking Liberties exhibition at the British Library when I was taking these photos on 12th December 2008 (and earlier photos for this artist's book / poetic photobook project). I have now been stopped and questioned twice by police for taking photos quite openly in public streets during fieldwork for my East London Line photobook - once at New Cross, and the second time at Whitechapel while taking these photos. At New Cross I was suspected of being a possible terrorist for taking photos near a railway station, and at Whitechapel of being a possible child molester for taking photos near a school. There's a strange disproportionate element about these police reactions to such public behaviour. I have heard recently of an artist who was told that he couldn't draw at Kings Cross station. This is the sort of police reaction to normal behaviour that we used to associate with totalitarian regimes. Writers and artists are now viewed with suspicion merely because they want to look at things! Are we now all to go around with averted gaze?

More to follow.

East London Line (almost); South Bermondsey

Railway Arch on Rotherhithe New Road, 8 December 2008

The Golden Lion, Rotherhithe New Road, 8 December 2008. An infinitely sad, and all-too-common, sight in Britain's towns and Cities. Why has life been closed down and boarded up? Or has it just moved on?

South Bermondsey Station, looking north 8 December 2008

Rotherhithe New Road S.E., 8 December 2008

Yesterday (8 December) I was doing some fieldwork for my East London Line artist's book project. I took the South London Line from Victoria to South Bermondsey - a wonderful journey above the rooftops of Battersea, Brixton and Peckham Rye, and passing through the impressive Victorian brick and timberwork of Denmark Hill Station. I was going to explore the fascinating tangle of roads, railway arches, housing and industrial estates that lies in the area between Rotherhithe (Surrey Docks), South Bermondsey and New Cross Gate. Above are some of the photos I took.

Taking Liberties at the British Library; Tom Paine Printing Press

The Tom Paine Printing Press approaches completion

Last week I went to see the wonderful exhibition Taking Liberties - The Struggle for Britain's Freedoms and Rights - at the British Library (www.bl.uk/takingliberties). This is on until 1st March 2009, and includes iconic documents from the BL's collections - from Magna Carta, through the Declaration of Right, Colonel Rainborough's Leveller statement during the Putney Debates, Tom Paine's The Rights of Man, Mary Wolstonecraft's A Vindication of the Rights of Women, the Bill of Rights, the Chartists, and the Suffragettes, to the Civil Rights Movement in America, the Counter-Culture of the 1960s and 1970s, Gay Lib, and the Human Rights Act of 1998. The exhibition includes a great deal of original printed material - books, documents, posters, etc. - which gives an insight into a wide range of letterpress and relief printing.

Last Friday I went to see the Tom Paine Printing Press (an 18th-century-style common press - a 'two-pull' press) as it nears completion at Alan May's home near Stafford - see the link to my Tom Paine Printing Press blog (http://tompainepress.blogspot.com/), on which I've posted a lot of my photos. Alan May built the 'Gutenberg one-pull press' for Stephen Fry's recent TV programme 'The Machine that Made Us'. One of my photos is at the top of this post.

Advance warning.

I shall be showing my artist's books (poetic photobooks) at the Watercolours, Drawings and Works on Paper Fair at Covent Garden (the old flower cellars) at the end of Jan/start of Feb 2009. Maybe I can get my new East London Line book done by then? (or Borough Market? a wgreat place for Christmas shopping, and a pint or two of Harveys bitter at the Market Porter or one of the other good pubs nearby. Harveys of Lewes had and have a strong connection with the Kentish hop fields, hence this connection - the Hop Exchange and various hop factors were nearby).

Phoenix Open and Brick Lane

Walking south down Brick Lane, Sept 2008. One of my current projects is built around the East London Line (now being reconstructed), from New Cross Gate past Surrey Docks, Rotherhithe, under the Thames to Wapping, Shadwell, and Whitechapel and Shoreditch, then under Brick Lane (bridge shown above) to Liverpool Street. The high structure on the extreme right of the photo is the remains of the overbridge which used to carry the Great Eastern Railway into Bishopsgate Station (later Bishopsgate Goods Station). Bishopgate Station's earliest name was Shoreditch Station.

I'm showing my work (paintings, prints, artist's books) in my studio (3S3) at Phoenix Brighton this coming Saturday 11th Oct and Sunday 12th Oct, from 11am to 5pm. I'm up on the third floor.

My artist's books (poetic photobooks) include Kings Cross, Thames - The London River, Afghanistan - A Journey, Willow, Wilg, Weide, Saule (Ypres Willows) and The Euston Arch.

I'll also be showing at The Small Publishers Fair at the Conway Hall, Red Lion Square, at the end of October (Fri 23 - Sat 24).

Peter Chasseaud and Altazimuth Press at the Small Publishers' Fair

I'll be showing all my artist's books and poetic photobooks at the Small Publishers' Fair on 24th/25th October 2008, including:

Kings Cross
Thames - The London River
Afghanistan - A Journey
Willow/Wilg/Weide/Saule (Ypres Willows)
The Euston Arch

Small Publishers Fair 24th and 25th October:
London - Conway Hall, Red Lion Square, WC1R 4RL
Free admission to Fair and all events, open 11.00am -7.00pm
Full details at: www.rgap.co.uk/spf.php

“The book as art form….”
the international event in London celebrating books by contemporary artists, poets, writers, composers, book designers, and their publishers

This year the Fair will be featuring more publishers than ever before –over fifty - with a truly international field -, two publishers from New York – Cuneiform Press and Vanitas and Libellum books; Chax press from Tucson, Arizona; Perro Verlag from Vancouver; Antic-Ham of Korea; and with publishers and presses from France, the Netherlands, Germany, Ireland, Belgium, and throughout the UK.

The Small Publishers Fair has announced this year's readings and events programme which takes place alongside the Fair. In a varied schedule, highlights include readings from Vincent Katz and Kyle Schlesinger, both poets, editors and publishers from New York, and the launch of the much acclaimed Reality Street Editions’ Book of Sonnets, to be introduced by its editor Jeff Hilson. Bill Griffiths’ The Lion Man and Others will be launched by readers from Veer Books, and for West House books, David Annwn will launch his largest collection to date, Bela Fawr's Cabaret.

The Fair brings together international artists, poets, writers, composers , book designers and publishers to celebrate contemporary artist publishing. Now in its 7th year, the Fair has attracted widespread interest, and praise for the quality of the events, and the immense variety of work on display.

More than 50 publishers are showing work , and all the books and editions are for sale, - an opportunity to buy work at an affordable price. With free admission, there's something for everyone – from top class writing, beautifully printed artists’ editions, multiples, and zines, to inexpensive pamphlets and artists cards. Several young artists’ collectives will be showing their work for the first time.

Organiser Martin Rogers of RGAP said
'The Fair has established itself as the national forum for the many small presses and
independent publishers actively promoting contemporary work. A number of the books and editions on display are special; and may not find their way into conventional bookshops, or sit on regular bookshelves.'

Programme details:-

Friday 24th October
Fair open 11.00 am – 7.00pm

6.00pm Press Preview with drinks

Saturday 13th October

Fair open 11.00 am – 7.00pm

1.30 – 6.00pm Performance, readings and booklaunches in the Brockway Room at the Conway Hall as follows:

1.30
Royal Holloway MA Poetic Practice:
Readings
2.00
Cluster Arts Magazine - Act Two
Selected performances and readings
2.30
Kyle Schlesinger, Cuneiform Press
3.00
Launch: The Reality Street Book of Sonnets, introduced by Jeff Hilson
4.00
Vincent Katz reads ‘Barge’,
a collaboration with Jim Dine
4.30
West House
David Annwn and Martin Corless-Smith
5.00
Les Coleman
The Cat Talked in Latin with Greek
5.30
Veer Books launch Bill Griffiths’
The Lion Man, and readings by
Sean Bonney, Johan de Wit and others

Admission free to all events
Check: www.rgap.co.uk for any updates